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Article Content
A while back I posted an article talking about the UBK-1 software compressor and Clariphonic hardware EQ. It was an overview of their use and application, and worth a read.
Semi-recently, Kush Audio released a Clariphonic software EQ — notable for two reasons:
- The hardware is absolutely amazing
- Greg Scott, founder and head designer of Kush, notably stated that the Clariphonic’s effect can’t be replicated with regular EQ plugins because they all use standard shelving filters. They had to build new algorithms from scratch to do it.
Obviously my interest was piqued. I downloaded it and have been using it in mixes and trying it against the hardware just to see what it’s all about.
KuSh Audio Clariphonic, 2 Channel High Frequency Equalizer, 2 Shelving bands per channel, 6 Cut-off frequencies of 800 Hz to 39 kHz, Parallel signal path per channel, Very clear sound, MuteKush Audio Clariphonic DSP mkI v1.00 AU. we must put in place the crack file included with. Kush Audio UBK-1 AU VST MAC OSX Groove3. Kush Audio Clariphonic Acustica Nebula vs DSP with Plogue Bidule. At Hollywood (like cocaine in sane brain) In the order you. Clariphonic Dsp Crack Cocaine. Kush Audio Clariphonic DSP mkI v1.00 AU VST MAC OSX x64. Forgive me for asking, but is it possible to.
Kush Audio DSP Clariphonic mkI v1.1.1 VST AU MAC OSX x64-iND 123 MB After 3 years of using the Clariphonic Original DSP, he had compiled a fairly comprehensive list of improvements I wanted to do. So I made them all, and the result is the Clariphonic DSP mkII, modeled from scratch using all new algorithms and filters.
My basic opinion over a few months of using it is that the Clariphonic DSP is fairly different than the hardware. There is a certain quality that is very similar — the bands sound very closely matched and the texture has a similar quality. However, I’ve found the hardware to be a subtle beast — a great way to sneak pop and brightness into a sound without harshness or obvious artifacts. The DSP on the other hand, sounds more forward — I hear the EQ happening.
In application, most of the time I’m preferring the hardware. But things aren’t black and white. There are applications where I actually want a bit more forwardness in the EQ. Pop drums for example, I found the DSP to be bolder and hold up better to bright guitars and synths. Occasionally, I’ll prefer it for vocals as well (maybe 33% of the — particularly in Pop and EDM genres. The hardware really kicks the software’s ass in places where you want to get more overall boost with less noticeable overall change to the sound. Mix buss immediately comes to mind. Synths as well are often forward enough, particularly soft synths. The DSP is almost always too much, but a touch of the hardware seems to add a subtle lift to synths not dissimilar to an exciter, but again without the artifacts. Lastly, and this is a weird one, but reverb and delay return I exclusively prefer the hardware.
Does one substitute for the other? Pretty closely. Reading above you might think there is a massive difference between the two. It’s not so drastic. It’s noticeable, but they’re overall fairly similar. One of my favorite moves for the DSP is to put it on mix buss to mix into it, and then swap it for the hardware at the end. This frees up the hardware for other uses during the mix.
But enough yammering, time to hear the goods! Iboostup premium 6 8 28 x 8.
Below is a quick toss together of drums, bass, and guitar, including:
- Dry version
- Pre-treatment version (using UBK-1, some basic EQ, and a phase flip on the bass)
- Treated version w/ Clariphonic hardware
- Treated version w/ Clariphonic software on matched settings
The Song
Processed:
https://theproaudiofiles.com/wp-content/uploads/2013/04/PROCESSED_01.mp3Hardware:
https://theproaudiofiles.com/wp-content/uploads/2013/04/HARDWARE_01.mp3Software:
https://theproaudiofiles.com/wp-content/uploads/2013/04/SOFTWARE_01.mp3Bass
Dry:
https://theproaudiofiles.com/wp-content/uploads/2013/04/BASS-DRY_01.mp3Processed:
https://theproaudiofiles.com/wp-content/uploads/2013/04/BASS-PROCESS_02.mp3Hardware:
https://theproaudiofiles.com/wp-content/uploads/2013/04/BASS-HARDWARE2_03.mp3Software:
https://theproaudiofiles.com/wp-content/uploads/2013/04/BASS-SOFTWARE_01.mp3Drums
Dry:
https://theproaudiofiles.com/wp-content/uploads/2013/04/DRUM-DRY_02-01.mp3Processed:
https://theproaudiofiles.com/wp-content/uploads/2013/04/DRUM-PROCESS_01-02.mp3Hardware:
https://theproaudiofiles.com/wp-content/uploads/2013/04/DRUM-CLAR-HARDWARE_01-02.mp3Hardware set to where I liked it, not matched to the software:
https://theproaudiofiles.com/wp-content/uploads/2013/04/DRUM-CLAR-HARDWARE-EAR_01-02.mp3Software:
Kush Audio Dsp Clariphonic Mki 1 1 1 Download Free Pc
https://theproaudiofiles.com/wp-content/uploads/2013/04/DRUM-CLAR-SOFTWARE_01-02.mp3Guitars
Dry:
https://theproaudiofiles.com/wp-content/uploads/2013/04/GUITARS-DRY_01.mp3Processed:
![Audio Audio](https://mac-torrents.io/wp-content/uploads/2018/07/Screen-Shot-2015-07-15-at-14.18.24.jpg)
Hardware:
https://theproaudiofiles.com/wp-content/uploads/2013/04/GUITARS-Hardware_01.mp3Software:
Kush Audio Dsp Clariphonic Mki 1 1 1 download free. full
https://theproaudiofiles.com/wp-content/uploads/2013/04/GUITARS-SOFTWARE.mp3The results are interesting. Obviously, form your own opinion, but to my ear: Gtasks pro 1 3 6 – tasks for google maps.
- The bass sounds a bit more focused with the hardware — there’s a little bit more polish — but it’s almost too close to call.
- The guitars I prefer the hardware, there seems to be more depth and width to the tone.
- The drums I actually prefer the software overall. The snare moves farther forward in a cool way, with the only trade off being the kick isn’t quite quite as articulated.
Now, if I was really mixing this, I would probably set the hardware differently than the software (I included where I felt the drums sounded good on the hardware just for kicks). And I would also use other processing to compensate for what one or the other wasn’t bringing to the table.
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Kush_Audio_Clariphonic_DSP_mkI_v1.1.1_AU_VST_MAC_OSX_x64-iND
Kush Audio DSP Clariphonic mkI v1.1.1 VST AU MAC OSX x64-iND | 123 MB
Kush Audio Dsp Clariphonic Mki 1 1 1 Download Free Torrent
After 3 years of using the Clariphonic Original DSP, he had compiled a fairly comprehensive list of improvements I wanted to do. So I made them all, and the result is the Clariphonic DSP mkII, modeled from scratch using all new algorithms and filters.
Kush Audio Dsp Clariphonic Mki 1 1 1 Download Free Download
In my opinion, the mkII sounds markedly softer than the original, and is considerably more potent in use. It has three modes: classical stereo, dual mono that can match each side differently, or Mid-Side to sweeten advanced way.
I also checked the GUI, it’s a little easier to use and much easier to use. Among the softest sound, the 3 operational modes and improved interface, I’m more proud of this design that none of those who have done so far, and that comes from the guy who recently dropped the Tweaker.
Ember 1 5 1 – versatile digital scrapbook. Everyone who bought a new license for the original DSP Clariphonic get full credit for the upgrade … even if they bought three years ago for sale. Go to the store for instructions. Enjoy!
WARNING: Before you do anything, be sure to back up your lib!
– Replace the original lib in / usr / lib / lib provided with for your operating system
– Replace the original lib in / usr / lib / lib provided with for your operating system